conquest

For Centuries, crowned and calculated,
He rides Bow drawn against utopia.
Once a conqueror of kingdoms,
now a silent predator of spirit.
What is your worth?

What may seem to affect OTHERS, impacts us ALL.

Globally, this looks like struggles for land: Borders, seas, geographic names, and resources from minerals to people. Locally, this looks like struggles for land: For a space to exist, for private/public property, for financial equity, for development, for housing.

In the realm of the arts, this looks like a lack of community spaces.

While Knoxville's marketing as "a nature-loving-adventure-seeking-artsy-kinda town" creates an attractive narrative for tourism and development, it masks a more complex reality. The city's artistic community operates largely on a part-time basis, with most practitioners balancing their creative work against other employment. This isn't unique to Knoxville, but it contradicts the implication of a thriving arts district where creators can sustain themselves through their work.

The arts become a tool for corporate recruitment, young professional attraction (“it's a cool place…”) and property value appreciation. 

what can we do?

Affordable Space

  • Repurpose vacant buildings for artist studios, galleries, and community centers, or creating live-work spaces in developing areas—or, for the love of God, creating THIRD SPACES that are publicly accessible regardless of socioeconomic status.

  • Cooperative artist work spaces have already begun to pop up, but need support! Many greats have risen, but fallen quickly due to lack of funding and support.


Anti-Gatekeeping Education and Support

  • You don’t know what you don’t know. Examples of aid include grant writing workshops, artist incubators, practical technical support, resource and information sharing. The key is kindness and community.

Public Investment

  • Dedicated funding for public art is crucial, but that opportunity is quickly disappearing. It’s up to us to support each other. Hire local artists for your projects, help create a market where none exists.

  • Artist Residency Programs can also consolidate new exchange between creatives. Specifically, for East Tennessee and Appalachian artists who often have to leave the area to find support.