HELLMOUTH
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HELLMOUTH *
Hellmouth Magazine aims to conjure the collective imagination of creatives, provoking discussion concerning contemporary art, cultural analysis, political criticism, and the transcendental.
concrete country
Mixed Reception of the New Public Art: Pier 865 in the Cradle of Country Music Park. After a near decade-long gestation period, a call for artists that failed to place any Knox locals in the top five finalists, protests against tree removal, and pandemic setbacks, this sculpture Pier 865 has finally been birthed, and is now tucked into the Cradle of Country Music Park. Here’s what people thought.
No scissors! A Story about Pigs and Monsters and German Phrases
Yvonne Dalschen deconstructs censorship in America – and of her own art in East Tennessee – through the lens of her German heritage.
“This censorship scares me, a lot. It scares me for this country. […] Gleichschaltung in German, vaguely translates as synchronization—that is, bringing in line. The recent attack on the Smithsonian illustrates another German concept, the terrifying vorauseilender Gehorsam, obedience in advance.”
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After a near decade-long gestation period, a call for artists that failed to place any Knox locals in the top five finalists, protests against tree removal, and pandemic setbacks, this sculpture Pier 865 has finally been birthed, and is now tucked into Knoxville’s Cradle of Country Music Park.